GLSL Shaders experiments using the library GlslCanvas by Patricio Gonzalez Vivo.

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Web design and development of an article from Bog Magazine: The Issue of Work. Each article of this issue was designed and developed by a different web developer.

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3D Artwork for MONTAGE's event at Recyclart on the 7th of July 2023.

3D modeling, web design and development while at DXR Zone with Daniel Baragwanath. Website developed using React an Three.js.

3D illustration for “muables”, an exhibition focusing on emerging Belgian creatives. This exhibition offers a view on the sensitive and moving vision of digital cultures. From June 23rd to July 30th at the Théâtre du Vieux Saint-Étienne (Rennes), this exhibiton displays works from Clarice Calvo-Pinsolle, Frederik Vanhoutte, Ohme and Vica Pacheco.

QTM is a database under construction using Flask for the back-end. It's an online platform collecting and presenting documents, practices, tools, artists and researchers that have a link with music, feminism and queerness with a focus on technology.

Computeuse takes its roots in the skeleton of the Computer Modern drawn by Donald Knuth on the software MetaFont in 1992. Computer Modern is the most reknown font made with MetaFont. “Computeuse” is a french feminization of the english word “computer” pronounced “computeur” in french. Its name is intended as a pun. Women were leading figures in the developement of computers in the early 20th century, and contributed substantially to the industry.

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Front-end design and developement with Sarah Magnan and Doriane Timmermans during my internship at OSP (Open Source Publishing, Brussels BE).

"The fourth edition of the Oscillation festival is dedicated to the question what it means to address a public, and how, by changing the site of a performance, the relationship between audience and performer shifts. Inspired by the transitory nature of public space, many artists are drawn to formats which resist the demands of the traditional performer/audience dynamic."

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Web design and development for the Brussels based photographer Hanna Pallot.

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Website written with several hands in html, css and js by Eugénie Bidaut, Laura Conant, Camille Circlude, Loraine Furter, Laure Giletti, Pierre Huyghebaert, Enz@ Le Garrec, Quentin Lamouroux, Ludi Loiseau, Clara Sambot.

The Bye Bye Binary foundry presents inclusive, non-binary, post-binary fonts, finished or under construction, all under free licenses. These fonts make use of the Queer Unicode Initiative (QUNI), to make them easy to use and compatible.

Artwork for Justin's release on MONTAGE

Artwork and poster for the Urgent Music Compilation III - Referential Irony on MONTAGE

The majority of people their lives are split in two: one away from keyboard and one in the digital space. These two parallel lives tend to interact, with one influencing the other. However, only one of both will survive us: our digital selves, immortal avatars within the eternal digital space.

Artwork for Helenah's release on MONTAGE

Information and knowledge are central factors in wealth creation, social evolution and human development. Language being the primary tool for the communication of information and knowledge, the ability to use one’s language on the Internet will determine the degree of one’s involvement in emerging knowledge societies. The Anthology of Internet’s language brings together articles and research thesis, blog posts and informal forum discussions displaying the cleavage between languages that can be found online, resulting in a normative language.

This project researches ways of communicating references. Specifically, this shows the sources I used for my bachelor project.

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The layout of my master thesis was created with Paged.js, a javascript library for HTML to print. It comes in the form of a book, accompagnied by a website where you can print the thesis and access the tracklist. The research examines how alternative tools for music production can be a way of emancipation for female artists and artists from gender minorities. For a long time I have wondered how to navigate the field of electronic music as an artist from the FLINTA* community. I look for tools that can emancipate us from the male dominated field of music production. This thesis situates itself at the crossroads between technology, sound and gender theory.

This project is a reflection about the shift from the depths of sensible and geometrical space of the physical world to a depth of time inside the digital space. This brings out the importance of the notion of interface; that surface that annuls the classical separation of position, of instant or object. It is composed of an essay and a wandering in virtual reality inside a flower field which only exist through the utilisation of the headset and the experience of the user.

Our contract in reading reality is redefined through the digital space. This implies finding new ways to approach online reading. This project is a plastic, poetic and practical reflection on how to situate yourself in an online text flow, without the physicality of a book.